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Productions

Season 2025/2026
Season 2026/2027

Production Search

Drew Jacoby | Stephanie Lake

Divine Matter

Signs & Wonders

A double dance evening


WORSHIP (world premiere)
Dance piece by Drew Jacoby
Music by Jon Hopkins, Hildegard of Bingen, Taizé, Björk, Matthew Herbert, Rosalía
Sound design by Crystn Hunt Akron (Christine Hinterkörner)


AUTO CANNIBAL (European premiere)
Dance piece by Stephanie Lake
Music by Robin Fox

Tanz
First Release 26.09.2026
Location Großer Saal Musiktheater

Dates 2026/2027

Saturday, 26. September 2026 19:30 - 21:10
Großer Saal Musiktheater
Premiere
19.00 Einführung

Premieren-Abo Musiktheater
Friday, 02. October 2026 19:30 - 21:10
Großer Saal Musiktheater
Frühbucheraktion 20% bis 31.08.2026 mit dem Aktionscode AUFTAKT26

Volksgarten-Reihe 1
Saturday, 17. October 2026 19:30 - 21:10
Großer Saal Musiktheater
Frühbucheraktion 20% bis 31.08.2026 mit dem Aktionscode AUFTAKT26

Volksgarten-Reihe 2
Friday, 30. October 2026 19:30 - 21:10
Großer Saal Musiktheater
Frühbucheraktion 20% bis 31.08.2026 mit dem Aktionscode AUFTAKT26

Szenario Novum
Sunday, 20. December 2026 17:00 - 18:40
Großer Saal Musiktheater

Tanz-Abo
Sunday, 27. December 2026 17:00 - 18:40
Großer Saal Musiktheater

Landabo Mix
Saturday, 02. January 2027 19:30 - 21:10
Großer Saal Musiktheater

ÖGB-Abo 63
Friday, 08. January 2027 19:30 - 21:10
Großer Saal Musiktheater

Abo 4+4
Monday, 18. January 2027 19:30 - 21:10
Großer Saal Musiktheater

Montag-Reihe

Information

TANZ LINZ opens the season with the double bill Divine Matter. Two choreographic works from a feminine perspective that make the body tangible as a site of origin, transformation, and transmission.


In Worship, a world premiere by US choreographer Drew Jacoby, divine femininity is not treated as a religious motif, but as a physical experience. Jacoby works with archetypal female figures, approaching them through ritual, repetition, and collective presence. Music by Rosalía and Björk, together with the sound design by Crystn Hunt Akron, condenses the piece into an atmospheric experience of devotion to body, nature, and community.


Auto Cannibal by Australian choreographer Stephanie Lake examines the creative process from the perspective of artists. In combination with music by Robin Fox, the work explores the reuse of choreographic material: ideas are absorbed, deconstructed, transformed, and carried forward in the dancers’ bodies. Auto Cannibal understands reuse not as stagnation, but as a prerequisite for renewal.


Together, the two works unfold an evening of dance about creation, transformation, and the ongoing becoming of meaning.

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