fakeimg
KOENIGSKINDER_header.jpg

Productions

Season 2025/2026
Season 2026/2027

Production Search

Engelbert Humperdinck

The King's Children

Fairy-tale opera in three acts
Text by the composer, based on the eponymous fairy-tale drama by Elsa Bernstein (under the pseudonym Ernst Rosmer)
In German with surtitles

Oper
Premiere 23.01.2027
Location Großer Saal Musiktheater

Dates 2026/2027

Saturday, 23. January 2027 19:00 - 22:00
Großer Saal Musiktheater
Premiere

Premieren-Abo Musiktheater
Friday, 29. January 2027 19:00 - 22:00
Großer Saal Musiktheater

Volksgarten-Reihe 4
Sunday, 14. February 2027 17:00 - 20:00
Großer Saal Musiktheater

Szenario Classico 1
Friday, 19. February 2027 19:00 - 22:00
Großer Saal Musiktheater

Szenario Classico 2
Wednesday, 24. February 2027 19:00 - 22:00
Großer Saal Musiktheater

Landabo Mittwoch
Sunday, 14. March 2027 17:00 - 20:00
Großer Saal Musiktheater

Szenario Classico 3
Saturday, 20. March 2027 19:00 - 22:00
Großer Saal Musiktheater

Opern-Abo
Saturday, 10. April 2027 19:00 - 22:00
Großer Saal Musiktheater

Volksgarten-Reihe 1
Friday, 07. May 2027 19:00 - 22:00
Großer Saal Musiktheater

Abo 3x3
Wednesday, 12. May 2027 19:00 - 22:00
Großer Saal Musiktheater

Lehrer-Abo Musiktheater
Sunday, 23. May 2027 19:00 - 22:00
Großer Saal Musiktheater

Abo 4+4
Sunday, 27. June 2027 19:00 - 22:00
Großer Saal Musiktheater

Freunde des Linzer Musiktheaters-Abo
Sunday, 04. July 2027 17:00 - 20:00
Großer Saal Musiktheater

Sonntag-17 Uhr-Reihe

Information

After Engelbert Humperdinck achieved sensational success with Hansel and Gretel, he did not rest on his laurels. With a strong sense of artistic invention, he took the genre of the fairy-tale opera to new dimensions with his next major stage work, The Kings's Chrildren.


Based on a literary fairy tale by Elsa Bernstein, this touching and tragic love story between a goose girl and a young king’s son opened the genre to the symbolist poetry of Art Nouveau as well as to the emerging ideas of early psychoanalysis. Humperdinck so perfectly captured the spirit of his time that the 1910 world premiere of Königskinder at the Metropolitan Opera in New York marked the beginning of a worldwide series of performances. Eventually, however, the opera fell into relative obscurity. It is therefore time to bring Königskinder back into lasting memory in Linz, as Chief Conductor Markus Poschner bids farewell to his audience at the Musiktheater with this work.

<